Lluís Hortalà (Olot, Girona, 1959) plays with the deception and confusion of the gaze, immersing us in the art of trompe l 'oeil.

The CGAC, the first museum designed by Álvaro Siza Vieira, has addressed architecture from multiple perspectives throughout its programme of activities and exhibitions, oft

In 1999, the CGAC, under the direction of Miguel Fernández-Cid and in partnership with the Escuela Internacional de Teoría en las Humanidades of the Universidade de Santiag

"Nicasso" is a work by Carlos Pazos (Barcelona, 1949) executed in 2006 and purchased shortly after by the CGAC to be included in "The Shadow of History", an exhibition focu

"Territory" is the first monographic exhibition on video art and video performance from Central America to be held in Spain.

One photograph. Two. Thirty-three. Two hundred and twenty-four. They arrive from all directions. Front doors open, biscuit-tin lids lift, family albums unfold.

Priscilla Monge’s work has often been included in the post-conceptual scene of Latin America in the nineteen-nineties, but it should be borne in mind that during that time

Between October 2022 and February 2023, the CGAC hosted Lives, a solo exhibition from

With significant individual careers, for more than three decades Concha Jerez (Las Palmas, Gran Canaria, 1941) and José Iges (Madrid, 1951) have developed a common producti

As part of its programme featuring mid-career artists, the CGAC is delighted to present an individual exhibition of the work of Mar Caldas (Vigo, 1964), a pioneer of femini

Mayte Vieta (Blanes, Girona, 1971) é unha artista visual que utiliza o espazo e a luz como medios de expresión a través da fotografía, a escultura e a instalación.

O cinema contemporáneo continúa investigando sobre as novas formas do cinematográfico, desde as vangardas ata o cinema expandido.